Tealights – Tea Lights in Clear Cups – Clear Cup Tealight Candles Set of 50, White Unscented

Aromatherapy Soy Candles — Sat, 12 Mar 2011 12:45:15 +0000

Clear Cup Tealight Candles Set of 50, White Unscented

Clear Cup Tealight Candles.
Made in the USA.
Perfect for Weddings & Other Events
Same Day Shipping!

Tea Lights In Clear Cups - Set of 50 Clear Cup Tealight Candles. Tealights are compression molded and set in clear plastic cups with 100% cotton wicks. Size: 0.5" Tall x 1.5" Diameter. Burn time: Approximately 4 hours. This set will be professionally packed to arrive quickly and undamaged. We ship QUICK! All orders shipped within 1 business day of your order. All orders received by 3:00 PM will be shipped the SAME day. Need your Candles Quick? Order from Quick Candles! Have a question? Need a larger quantity? Call our friendly customer service at 1-800-928-6175.

List Price: $ 37.99 Price: [wpramaprice asin="B002NV02MK"]

TheWorld's Greatest Tenor FRANCO CORELLI sings Gaetano Donizetti's - Poliuto - (Serata di gala per l'apertura della stagione): Milano, Teatro alla Scala, ore: 2100 regìa di Herbert Graf; direttore dell'allestimento scenico Nicola Benois; bozzetti e figurini di Nicola Benois; maestro collaboratore Antonio Tonini; coreografia di Giulio Perugini; maestro della banda Franco Lizzio; maestro rammentatore Vasco Naldini; scene realizzate da Franco Cagnoli, Gino Romei; capo reparto macchinismi Luigi Regazzi; attrezzerie del Teatro alla Scala; calzature Pedrazzoli; parrucche di F. Sartorio e Paglialuaga; costumi confezionati dalla sartoria Teatro Scala - Act I - Poliuto - FRANCO CORELLI Severo - Ettore Bastianini Paolina - Maria Callas Callistene - Nicola Zaccaria Felice - Rinaldo Pelizzoni Nearco - Piero de Palma Primo cristiano - Virgilio Carbonari Secondo cristiano - Giuseppe Morresi maestro del coro - Norberto Mola Conductor - Antonino Votto December 07.1960 René Seghers " FRANCO CORELLI -- Prince of Tenors" December 07.1960 -- January 15. 1961: POLIUTO On stage I'm a lion, but before...what a terror! The audience thinks of me as an operatic character, bold and confident in life as on stage. But I'm very timid. And from this shyness stems the fear: a terrible fear of the confrontation with the public, a fear which consumes my nervous system and makes me approach the performance as a battlefield. Yet, once I step out of the shadows behind the scenery and the lights of the stage ... Video Rating: 4 / 5

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